Bio

Steve Rachmad (Life and Death // Amsterdam)

Mentioning releases, remixes, or labels on which Steve Rachmad has shown his craftsmanship is pointless and time-consuming. So is boasting about the clubs and festivals on which he has left his mark. It would just make for another list of names, places, and brands…. Let’s not do that. Feel free to visit the usual channels (Discogs, Soundcloud, Beatport) and take your pick from numerous productions and DJ sets. They all come from almost three decades of dedication, sweat, and polishing a one of a kind talent.

Because as Miles had his horn and Pablo took to canvas, Steve has an unequalled gift for (almost physically) connecting with every thinkable drum machine and synthesizer out there. If the man had kids, boys would listen to Roland or Robert (Moog), and a girl would surely be named Linn, after the machine made famous by Prince and others in the 80’s. Some claim it’s analogue machine telepathy, others say he was born with all the right connectors and inputs hidden somewhere underneath his trademark curly hairdo.

This ability has established Steve as one of those artists that simply last because of quality. New generations of artists from different genres recognizes his signature and therefore play his work.

As a DJ he is constantly reinventing himself. Set firmly in the best that techno and house have to offer at the moment, Rachmad draws inspiration from his love for high quality disco and electro from the past. As words can never truly describe music, we’ll end with advising you to go check him out and hear for yourself what Steve is all about.

STERAC (Klockworks, Delsin // Amsterdam)

Since his earliest days in the scene, Amsterdam’s electronic music pioneer Steve Rachmad has created a legion of monikers to cover the variety and broadness of his compositions. Black Scorpion, Tons of Tones, Rachmad Project, Scorp, Parallel 9, Ignacio, Dreg, Sterac Electronics; they all represent a different facet of Rachmad’s music.

One of the main creatures living on Planet Rachmad has always been STERAC, a side of Steve’s musical personality that’s not easily described. Let’s say that where other aliases are used for excursions to more dub-, disco-, or house- oriented records, STERAC’s focus has always been on the no-nonsense, darker, and deeper side of techno.

The STERAC discography consists of signature cuts, spread out over genre-defining labels such as M-Plant, Tresor, Klockworks, Afterlife, Mote Evolver, Indigo Aera and Delsin. Over the years it’s been reinterpreted, remixed, and reworked by peers such as Ricardo Villalobos, Vince Watson and Marc Romboy.

The work rarely fits current trends or pushes through to the absolute top of subjective charts. Rather it simmers, always ready to spark the rise of new generations, parties, and artists’ careers within the musical biotope we all love.

His effort and independent attitude have made STERAC a regular on many a stage. From his hometown’s Awakenings, to Berghain in Berlin, Movement festival in Detroit, Fabric London, Loft Barcelona, D-Edge in Sao Paulo, and more.